If you're reading this post, you've probably at least seen
the question before about what three books you'd want to take with you if you
were to be stranded on a desert island. Though there are many, many authors I
would miss, if I could only take three books I would take these three craft
books so I could write myself a lifetime of stories. Egotistical? Perhaps, but
these three books are worth it.
For developing great premises, I love Donald Maass's Writing
the Breakout Novel. “In one-on-one meetings at writers conferences, I can
usually stop a story pitch dead in its tracks by interjecting the following:
'Hold on, your protagonist wants to [insert goal here}.], but let me ask
you this, if he is not successful, so what?'” (Maass 60) This book also taught
me how to raise the stakes, incorporate psychology of place and social trends,
and to develop my themes more fully.
Robert McKee's Story: Substance, Structure, Style, and
the Principles of Screenwriting is the book I wish I had seen in high
school. Though I learned to basics of character, setting, and genre in school,
McKee explains the relationships between these and other essential elements. “A
beautifully told story is a symphonic unity in which structure, setting,
character, genre, and idea meld seamlessly. To find their harmony, the writer
must study the elements of story as if they were instruments of an orchestra –
first separately, then in concert.” (McKee 29) Though the book was written for
screenwriters, it is very applicable to novels. This is the book I turn to when
developing plot lines and character arcs, the book that taught me about beats,
writing a scene, turning points and climax.
Once I've developed a strong premise and have an idea of how
the character arcs and plot structure will work, I write the first draft. Then
it's time for the last book on my list: Self-Editing for Fiction Writers:
How to Edit Yourself into Print, by Renni Browne and Dave King. “You can
drop your amateurish look and give your writing a professional edge.” (Browne
& King 4) This is the book that I use to polish my drafts. With checklists
at the end of each chapter, it guides writers to check for showing instead of
telling, avoiding backstory dumps and tangents, using the most effective point
of view, creating authentic sounding dialogue and much, much more.
Katie Van Ark is the author of Pairing Up. Visit her online
at www.katievanark.com or on
Twitter:@kvanark. http://www.swoonreads.com/m/pairing-up
Great books! I've read and used all but the third. I'll have to pick that up! I must say that I had to read Robert McKee's STORY twice. It wasn't as easy to read as the other craft books I've read. I learned most of what he taught from my marvelous mentor, Barbara Rogan. If I were to add to this list, I would say that Stephen King's ON WRITING is full of great tips, and is characteristically entertaining. I also think that the advice in Noah Lukeman's THE FIRST FIVE PAGES: A WRITER'S GUIDE TO STAYING OUT OF THE REJECTION PILE can be applied to an entire novel. Thanks for sharing! Great post!
ReplyDeleteThanks for reading and sharing, Jenny! I also really enjoyed Stephen King's ON WRITING. A couple books I'd recommend for YA writers like us are WILD INK by Victoria Hanley and WRITING GREAT BOOKS FOR YOUNG ADULTS by Regina Brooks.
DeleteJenny - I have (and enjoyed) those two as well!
ReplyDeleteSally - I haven't seen yours yet, think I know where to spend my Amazon gift cards now... :-)